![]() Musician Harold Battiste provided the instrumental arrangement. The session for the song was held on June 7, 1965, at Gold Star Studios in Hollywood and lasted between 2 and 5 PM. If neither were interesting singers, their plodding, matter-of-fact performances gave the song a common-man appeal. Set to waltz time, the tune retained a light feel despite the sometimes busy instrumentation, led by a prominent oboe accompanied by a bassoon and the alternating vocals between the two singers. ![]() Where Dylan was musically simple, however, Bono, without fully rebuilding Spector's Wall of Sound, was more structurally ambitious, following the song's standard verse-chorus-verse-chorus-bridge-verse-chorus form with an ascending coda that built to a climax, then started building again before the fadeout, all in only a little over three minutes. Recalling Dylan's bitter 1964 song "It Ain't Me Babe" (soon to be a folk-rock hit for the Turtles), Bono wrote his own opposite sentiment: "I Got You Babe." Where Dylan was lyrically complex, Bono was simple: His lyrics began with the ominous youth-versus-grownups theme of "they" who set up barriers to romance, but soon gave way to a dialogue of teenage romantic platitudes. Billboard said of the song "using the successful combination of folk and rock, this one has the performance and production of a smash." ĪllMusic critic William Ruhmann praised the song: "I Got You Babe" became the duo's biggest single, their signature song, and a defining recording of the early hippie countercultural movement. Session musicians known as The Wrecking Crew supplied the instrumental track. When Cher was woken up to sing the lyrics, she hated the song and didn't think it would soon be a hit and immediately went back to bed. Sonny Bono, a songwriter and record producer for Phil Spector, wrote the lyrics to and composed the music of the song for himself and his then-wife, Cher, late at night in their basement. Sonny & Cher, 1966 Background and composition And in 1993, Cher recorded a cover version with the American animated characters Beavis and Butt-Head, which peaked at number 35 in the UK and became a top 10 hit in the Netherlands. In 1985, a cover version of "I Got You Babe" by British reggae-pop band UB40 featuring American singer Chrissie Hynde peaked at number one on the UK Singles Chart and reached number 28 on the US Billboard Hot 100 chart. ![]() It also reached number one in the United Kingdom and Canada. In August 1965, the single spent three weeks at number one on the Billboard Hot 100 in the United States where it sold more than one million copies and was certified Gold. It was the first single taken from their debut studio album, Look at Us (1965). But I thought I should share the second one anyway." I Got You Babe" is a song performed by American pop and entertainment duo Sonny & Cher and written by Sonny Bono. In this interpretation, he's planning on killing himself. They will be together eventually and "walk through the park every day." They will be in a paradise together. And he says that "one day," things will be good again. And he also keeps referring to how he's being called "home." Home is a very common metaphor for heaven. Throughout the song, Plant is singing about how he has to leave not only this girl, "But I got to go away from this place." However, he doesn't really want to leave her. The other is a darker, much more depressing variation of that. Everyone else here seems to have covered that one, so I don't need to explain it again. One is the more obvious, the man who has to leave a girl but doesn't want to. So Led did write it themselves.Ībout the lyrics, I've always seen it two ways. I said that's when it's callin' me back homeįirst off, in my Led Zeppelin piano/guitar book, the credits for this song are "Words and Music by Anne Bredon, Jimmy Page and Robert Plant." Not "Traditional Arrangement by Jimmy Page and Robert Plant" (such as for Gallows Pole). We gonna go walkin' through the park every day I know I never, never, never, never, never gonna leave you, babeĪnd I know that one day, baby, it's really gonna grow, yes, it is I said don't you hear it callin' me the way it used to do? I can hear it callin' me the way it used to do I ain't jokin', woman, I've got to ramble Leave you when the summer comes a-rollin' I said baby, you know I'm gonna leave you
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